The are several really fine piano transcription sites out there, and you should generally check my homepage for my latest transcriptions posts. However if you’re new, here’s a list to kick you off: • Firstly, check out all the posts tagged ‘. • I’ve posted alot of and transcriptions, so check each of those tags for some really good stuff. • is a great site with not just transcriptions but some really top notch analysis of reharmonisations etc. • – this site is one I’ve visited many times over the years. Some splendid transcriptions of Jarrett’s solo and trio stuff, including many by Friedrich Grossnick, who is a bit of a legend when it comes to transcribing Jarrett.

Includes several (immaculately done, may I add) transcriptions from the Carnegie Hall concert and The Melody At Night With You in PDF format. • Bert Ligon’s trasncriptions should also not go un-noticed. At his University of South Carolina base, his covers Keith Jarrett, Bill Evans but stuff for other instruments too • – not just piano, but includes transcriptions of Chick Corea and Ellis Marsalis, amongst others. Nice site too. • – snazzy Flash-presented range, including Bills Evans, Keith Jarrett. Look to bottom left of main content area to ‘zoom in’ in order to print them off or save them to hard-disc.

• – not really ‘just’ transcriptions, more a whole welter of information which will make for fascinating reading for Bill Evans fans. Incredible that these are available on the net for free – there’s over 200 published pages here about Bill’s playing, compositions and musicians who he had played with. • – anyone searching for piano transcription on the net would have almost certainly come across Luke’s impressive list. Includes word of Chick Corea, Herbie Hancock and Keith Jarrett.

• Charles Schneider maintains it’s a veritable Gold-Mine of Transcriptions from a massive number of artists. • Armand Reynault have made some very fine transcriptions on: it is a fairly short, but good selection, including Michel Petrucciani and Brad Mehldau. • Bill Evans fans, which has links to some cracking resources on Scribd. • John Groves, with some good piano transcriptions. Although not transcriptions there are some really good online learning sites out there now: • Probably the best is which although not free has professional level resources and truly renowed contributors. • Additionally Scott Raney runs his site, and also. Both of these resources are aimed at intermediate to advanced players, aimed to get your chops and sound right up there.

You should be able to comfortably read music as well as be proficient in all keys and with a basic jazz approach already under your belt. There’s a really good play-along i’ve recently bought that beginners/intermediates will find absolutely brilliant. It was unavailable in the UK, but I got it from. It contains whole transcribed piano parts from a professional pianist, and TWO CD’s (one with the pianist, one without). Even for advanced players, it’s great to play along with the ensamble.

Nov 25, 2011. In 1972 he founded the jazz fusion group Return to Forever, which he's steered through several lives—including Return to Forever IV, which recently concluded its 2011 World Tour. Here, Corea shares the original sheet music for 'Spain,' a composition for the group's 1972 sophomore album, Light as a.

Definately one-step up from the Aebersold playalongs, anyway. I am taking a stab in the dark here. Maybe someone can help! I am looking for a CD or tape copy of three (3) marian McPartland Piano Jazz programs: William F. Buckley (yes, THAT guy), Richie Beirack and Henry Mancini. All three were guests on Piano Jazz and are the programs not available on commercial CDs. The originals are located at the Richard Rodgers Library of Recorded Sound, NY Public Library but they will not let you copy them.

Perhaps one of this esoteric group copied them off the air? I would very much like to get a copy of each! Sincerely, John Brooks •.

The story behind a modern jazz standard AP Images The son of a trumpeter in a Dixieland band, the virtuosic keyboardist Chick Corea is revered as one of the principal alchemists in the fusion of jazz with rock, funk, and Latin music. After recording his seminal 1968 album, Now He Sings, Now He Sobs, he replaced Herbie Hancock as the piano chair in Miles Davis's band—the band that recorded such classic albums as Bitches Brew. Throughout his eclectic career, Corea has collaborated with vibraphonist Gary Burton and banjoist Bela Fleck, pioneered the use of the Fender Rhodes electric piano, and won 16 Grammys. In 1972 he founded the jazz fusion group Return to Forever, which he's steered through several lives—including Return to Forever IV, which recently concluded its 2011 World Tour. Here, Corea shares the original sheet music for 'Spain,' a composition for the group's 1972 sophomore album, Light as a Feather.

Spain by on Grooveshark At the time I was in love with Miles's 'Sketches of Spain,' with Gil Evans. On that record Gil has this fantastic arrangement-it's the second movement of Joaquin Rodrigo's 'Concierto de Aranjuez.'

I fooled around with that theme, extended it and composed some melodies, which turned out to be the main themes of 'Spain.' I always play Rodrigo's second movement as a keyboard intro. I work out alternatives in my head, toss them around, play them on the piano until I find a piece that's the best. And I don't set anything down onto paper until I've got a pretty long flow, a complete melodic statement.

By 1976 or so, I started to tire of the song. Download Aplikasi App World Blackberry Torch 9800. I started playing really perverted versions of it-I'd refer to it just for a second, then I'd go off on an improvisation.

Once the acoustic band was in action, sometime around '85, I decided to try my hand at a rearrangement of the piece. Then there was the orchestral arrangement. Even with my current band, Return to Forever IV, we're still playing 'Spain.'

We've gone back to the original arrangement. Click the images below to enlarge Maybe another tune will come to the forefront. Probably not, at this part of my life. I don't know. I don't think any artist really knows why a song gets popular. A lot of artists say, we'll, it was a sing-able melody, the rhythm was infectious.

You could surmise a lot. The constant challenge is not so much the creative process, but the challenge of presenting an idea to the public. It's a constant challenge to get your arrangement and musical expression across to a new audience, especially when you're playing live every night, like we are. Miles set this example of creative fearlessness. He kept changing the way he played. He kept changing the poem of his music.

Now, when I play soul piano, for instance, and I play a rendition of 'Spain,' I do it deconstructively. That's the most fun, but I can only do that when I'm on my own. -Chick Corea, as told to Alex Hoyt. Updated on December 20 at 3:21 p.m.

Have you ever come up with what you think is the perfect Christmas gift—a well-chosen, carefully considered present—only for the recipient to react not just with indifference, but with outright hostility? Donald Trump, Mitch McConnell, and Paul Ryan can sympathize.

Most Americans will save money under the tax bill that the Senate passed Tuesday night and the House passed Wednesday. The size of that benefit varies, but 80 percent of households in 2018. (The cuts shrink over time, eventually.) It’s not just that a plurality of respondents in a new say the cuts are a bad idea (41-24, with 35 percent unsure or holding no opinion), or might have bad long-term effects. It’s that only 17 percent actually believe they’ll get a break. That result is in line with other polls that have shown similar skepticism about.

Updated on December 20 at 2:05 p.m. ET President Trump has spent months exhorting Republican lawmakers to send him a tax-cut bill in time for Christmas—a $1.5 trillion stocking-stuffer for businesses and families.

And on Wednesday afternoon, Congress delivered, as the House approved final passage of the GOP’s top legislative priority. But despite Trump’s impatience for tax cuts, he might not actually sign the landmark bill into law right away, White House advisers said.

In fact, Trump might wait until the new year, pushing the outer boundary of the 10 days the Constitution gives the president to affix his signature to legislation passed by Congress. The reason for the possible delay involves a complicated bit of legislative gamesmanship.

Under a 2010 “pay-as-you-go” law requiring Congress to offset any new spending or lower taxes, the $1.5 trillion bill would trigger automatic cuts to Medicare and other programs—across-the-board reductions that Republicans don’t want to be responsible for letting take effect. By waiting until the calendar turns to 2018 to formally enact the tax bill, Trump would push the automatic spending cuts to 2019 and buy Congress another year to waive them.

President Trump and congressional Republicans have just taken the same leap of faith that Democrats did when they passed the Affordable Care Act. When then-President Obama and the Democratic House and Senate majorities muscled through the ACA in 2010, the bill represented a big policy victory, but an even bigger political gamble. Though Obamacare fulfilled the party’s decades-long goal of providing (nearly) universal health care, the immediate backlash in the 2010 election helped propel Republicans to the biggest midterm gain in the House for either party since 1938 and gave them a majority in the chamber they still haven’t relinquished. Republicans could face a similar equation of costs and benefits from the tax bill they just passed.

The legislation will advance the preeminent GOP goal of cutting taxes, particularly on high earners and businesses. But it could represent an even greater bet than the ACA because polls show it faces substantially more public opposition. Just when Orrin Hatch thought he was out, Donald Trump pulled him back in. After months of quietly laying the groundwork for his own retirement, the 83-year-old Utah senator has signaled to Republican allies in recent weeks that he’s having second thoughts about leaving office when his term ends next year. Interviews with 10 people familiar with the situation—some of whom requested anonymity to speak candidly—suggest that President Trump’s efforts to convince Hatch to seek reelection have influenced the senator’s thinking. This perceived about-face by the seven-term senator has enraged loyalists to Mitt Romney, who had been planning to run for Hatch’s seat (at the senator’s urging no, less). Cambiare Software Autoradio Chinese Flag.

Meanwhile, many Utah Republicans have grown impatient and aggravated with Hatch as he repeatedly postpones announcing his reelection decision. Although it’s impossible to say for sure, Trofim Lysenko probably killed more human beings than any individual scientist in history. Other dubious scientific achievements have cut thousands upon thousands of lives short: dynamite, poison gas, atomic bombs. But Lysenko, a Soviet biologist, condemned perhaps millions of people to starvation through bogus agricultural research—and did so without hesitation.

Only guns and gunpowder, the collective product of many researchers over several centuries, can match such carnage. Having grown up desperately poor at the turn of the 20th century, Lysenko believed wholeheartedly in the promise of the communist revolution. So when the doctrines of science and the doctrines of communism clashed, he always chose the latter—confident that biology would conform to ideology in the end. It never did. But in a twisted way, that commitment to ideology has helped salvage Lysenko’s reputation today. Because of his hostility toward the West, and his mistrust of Western science, he’s currently enjoying a revival in his homeland, where anti-American sentiment runs strong. Can training the mind make us more attentive, altruistic, and serene?

Can we learn to manage our disturbing emotions in an optimal way? What are the transformations that occur in the brain when we practice meditation? In a new book titled, two friends—Matthieu Ricard, who left a career as a molecular biologist to become a Buddhist monk in Nepal, and Wolf Singer, a distinguished neuroscientist—engage in an unusually well-matched conversation about meditation and the brain. Below is a condensed and edited excerpt. Matthieu Ricard: Although one finds in the Buddhist literature many treatises on “traditional sciences”—medicine, cosmology, botanic, logic, and so on—Tibetan Buddhism has not endeavored to the same extent as Western civilizations to expand its knowledge of the world through the natural sciences.

Rather it has pursued an exhaustive investigation of the mind for 2,500 years and has accumulated, in an empirical way, a wealth of experiential findings over the centuries. A great number of people have dedicated their whole lives to this contemplative science.

On Monday morning the conservative-media world woke up to in National Review on the Washington Post columnist Jennifer Rubin. The outburst might seem a textbook case of the narcissism of petty differences within the conservative world. Both the author of the denunciation, Charles C. Cooke, and its target, Rubin, are right-leaning skeptics of Donald Trump. What on earth could they be arguing about?

And does it matter? I think it does—a lot. Cooke criticizes Rubin—a friend of mine, but one with whom I’ve from time to time —for taking her opposition to Trump too far. “If Trump likes something, Rubin doesn’t.

If he does something, she opposes it. If his agenda flits into alignment with hers—as anyone’s is wont to do from time to time—she either ignores it, or finds a way to downplay it. The result is farcical and sad.”.